We’re definitely at a moment of transition. Where an old media system is dying and a new media system is being born.

This year, The Banff World Television festival and nextMedia Banff 2010 was a combined event. Digital media, new media and TV sessions and parties filled 3 world wind days! Luckily I still had time to squeeze in a visit to the Banff Hot Springs (so nice). Now that I’m back from Banff, I can reflect on the event.

Follow my twitter stream of the event here.

The quality of the sessions was high, many were insightful and interesting. This year, because of the combined event, I spent a bit more time attending the TV sessions which expanded my thinking on storytelling and the cross-over from the narrative we know to the branding of the narrative that will be more and more transparent and pervasive. Given the medias’ pandemonium on the demise of TV, branded content seems to be the destiny of both the red and the blue pills.

A few sessions really stood out for me. An interview with Ricky Gervais – if you have the chance to see this man speak don’t miss it. Matt Mason‘s presentation on media and piracy was an excellent framing of the issues related to piracy. His book The Pirate’s Dilemma is a recommended read and a great continuation of what Lawrence Lessig started.

Faris Yakob: Stuff That Doesn’t Work Yet was a treat. His talk, albeit a bit silly at start, drew me in by the way he framed and articulated the gravitas (love using that word) of the media moment we’re in. Yakob lead me to Henry Jenkins, MIT Professor, media scholar.

Henry Jenkins is the author of several books including Textual Poachers: Television Fans and Participatory Culture and Convergence Culture: Where Old and New Media Collide. His point of view of today in media is insightful. He says:

On participatory culture: A world governed by participatory culture has the potential to be much more diverse in a world controlled by a small number of media producers. As average people develop the ability to tell their stories, we’re seeing different perspectives emerge. We’re seeing different groups gain representation, we’re seeing groups challenge the dominant media images that have been constructed for their lives. And the challenge for those of us caring about social justice issues is to make sure that these tools get into the hands of those people who have been the most oppressed and most dispossessed to get their stories out and get their stories into circulation.  As we expand who has the power to tell stories, we have the potential to tell stories that grab our imagination, to touch our hearts, that come not from entertainment infrastructure but from some average citizen who’s reality has never been depicted on the screen before. And I think that’s the real excitement of our present moment of media change.

Explaining the concept of convergence media: Every story, every brand, every image, every relationship plays itself out across a maximum amount of media channels. The information system is converged, it’s integrated. We carry pieces of media with us all through the system. And that’s being shaped top down by decisions made in corporate boardrooms and bottom up by decisions made in teenagers’ bedrooms. In other words it’s shaped by the integration of the media industry so the same company may own interest in all media platforms and it’s shaped by teenagers wanting the media where they want it, how they want it, in the form they want it, when they want it. And they’re willing to take it illegally if it’s not available to them legally. Those two pressures are working together to create a much more integrated media sector than we’ve seen before.

For more on Henry Jenkins, check out the video below.

Thanks to Mark Greenspan, Amy Davies and the entire team at nextMEDIA and Banff 2010 for a great conference!

The Future of Human Computer Interfaces = No Keyboard

John Underkoffler is the creator of the now famous Minority Report gestural interface. The future of human computer interface is no keyboard, it’s you. In the very near future navigation happens in 3D. The system is about manipulation and navigation in the virtual space while interacting with real world objects (like your hands).

Among the spectacular-ness of gestural is a way of navigating data (as seen in Minority Report). Here you can take tabular data and apply it to geo-spacial information so the data can be understood and made meaningful. The collaborative design work demonstrated is also amazing.

To paraphrase Underkoffler regarding his inspiration: We create and our technology is a combination of design and efficacy that allows us to do that.

Is Social Media A Fad? The Social Media Revolution (Refresh)

Welcome to the revolution.

A paradigm shift in brand marketing: Dear marketer, the customer owns your brand

Logorama won the 2010 Oscar for best animated short film. The French conceived and produced film is a 16 minute animated short entirely populated by trademarks as both characters and props.

The film was directed by the collective H5, comprised of Francois Alaux, Herve de Crecy and Ludovic Houplain. It depicts events in a branded Los Angeles populated by some 2,500 contemporary and historical logos and anthropomorphic mascots. The story follows two Bibendum (Michelin tire guys) as cops who chase a terrorist, Ronald McDonald. The film ends with a zoom out from Earth to explore the branded universe.

The film is funny, witty and takes every liberty with the brands it portrays. Remarkably not a single advertiser asked to have their logo removed from the film. Could the brands have simply ignored this would-be marginal French short film that no one would see? Or, once it won the Oscar was it too late to litigate? What ever the answer, it doesn’t matter.

As a marketing and advertising professional, the film, to me, articulates a paradigm shift in brand marketing. Marketers can no longer protect how their brands are portrayed.

The 2,5000 brands in Logorama, by hook or by crook,  have no choice but to accept the customers’ commentary on the historical and emotion investment they’ve made in the brands they love and hate. In our create-it-yourself, social-media-mashup-pop universe, brand marketers are no longer in control of their brands. For good or bad the customer has appropriated the brands which permeate public space and will do with them what they please. Consumers no longer accept a top down branded message without the ability to directly comment and interact. Go forward and engage accordingly.

You can preview the short on Logorama’s website or buy it for $2 from iTunes.

HTML5 is coming!

HTML5 is what user experience should have always been without plug-ins and the sometimes excruciating “loading…” times.

Imagine never having to be confronted with another “click here to download plugin” or “loading…and still loading…” message again. User experience utopia? Maybe not, but definitely user experience relief.

In the near future, using HTML5, we’ll be able to do all sorts of things that are hard or next to impossible to do with download-able plug-ins currently. HTML5 brings new flexibility of user experience, and promises of semantics, JavaScript APIs for drag and drop, offline storage, image generation, plugin-free video and that’s only to name a few.

It’s hard to find many examples of websites built in HTML5 today. To give you an idea of what’s possible, check out Mugtug.com’s sketchpad.

HTML5: The way we build websites is changing again! And how Apple is investing in shaping the future of Web standards.

HTML5 is being developed as the next major revision of HTML (Hypertext Markup Language), the core markup language of the World Wide Web.  It’s the evolution of HTML4.1 used widely today and includes HTML and XHTML.

HTML5 proposes to replace the need for proprietary plug-in based rich media software. No need for the user to download Adobe Flash, Microsoft Silverlight and the like to see and interact with rich media. Rich experiences can be created and displayed to the user in HTML5!

Once adopted by all the browser clients such as Firefox, Internet Explorer, Safari and the like, you’ll be able to have a Flash like experience without downloading Flash.  Wow! on very many different levels. Some believe HTML5 could kill off Flash and Silverlight.

In terms of MOBILE, currently Apple, BlackBerry Windows and Symbian don’t support plug-in based rich media software – and that includes Flash. [However, it is worth noting that many iPhone applications are mainly built in Flash.] So while Internet Explorer “won” the browser war on the PC, MOBILE browsing standards are up for grabs!

See for your self what HTML5 can do! See: Sketchpad in HTML5 http://mugtug.com/sketchpad/ and YouTube serves video in HTML5 http://youtube.com/html5/

What does Apple have to do with this? Apple has been a big supporter of HTML5 as a web standard and in so doing has banned Adobe’s Flash from all its devices.  Fewer than two months ago, Apple revealed the iPad to the world. And while the company’s highly anticipated device included a lot of features, Flash wasn’t one of them. A war of words soon erupted over the multimedia plug-in, with Flash responding to Apple and Steve Jobs ranting about Flash saying “the world is moving to HTML5.”

If you’re building your websites exclusively in Flash – stop.

While HTML5 updates a lot of things, its main focus is support for web applications. The idea is that no longer will you need to write long, horribly complex scripts or Flash plug-ins to animate your pages. Support for things like image processing, progress bars, canvases an even Ruby scripts are built in. The multimedia tags are the most compelling. No longer do you care about clients having the right plug-in installed. You use a video or audio tag and add to that a list of different formats – MP4/Theora/Flash/etc and the client will use the first one it supports. No more placeholders for “install Flashlight” and best of all, no more being held hostage to proprietary formats.

For more info on the HTML5 revolution, I recommend exploring these articles:

Behind the Adobe-Apple cold war http://bit.ly/98iHqK

Flash versus HTML5: Virgin America breaks up with Flash http://bit.ly/did8vJ

Adobe Opens Up About Apple, HTML5 and Flash [VIDEO] http://bit.ly/c339dO

Comments are open!

The iPad is here. And?

And… I won’t be standing in line to buy this version of the latest iProduct and here’s why:

No Flash support, just like the iPhone. I can put up with blue boxes in the place of websites on the iPhone, but not on a tablet that I’d like to use for surfing! (Not to mention Jobs single highhandedly contributing to the demise of Flash – but that’s anther story.)

No multi-tasking. You can’t have two applications open at the same time! It feels like 1994 computing.

No camera for video conferencing. No camera for taking pictures. Nada.

No widescreen mode. Movies formatted for widescreen are squished into the 4:3 aspect ratio making it unusually painful to watch.

Apple only applications. The iPad will only run applications from the iTunes store, unlike any standard mini-laptop that runs all kinds of applications.

Side loading only. Think you can download whatever you want off the Internet onto your iPad? Think again! The only way to download anything to your iPad is by hooking yourself up to another device using a cable. (Come on Jobs!)

It’s not perfect, however there are a number of wonderful things about the iPad. For everything you need to know check out Gizmondo.com

Apple will announce their new innovation tomorrow: Will “it” do for publishing what the iPod did for music?

Tomorrow in San Francisco, Apple will announce to the world media their new innovation. The buzz for the new device has been deafening.  It’s been called: the super tablet, the iSlate the iPad and a few more. The speculated promise is everything from thermal paper to uber multi-touch, in-the-bathtub, under-the-pillow reading and monumental media device. Salivating for readers and media consumers and terrifying for publishers. Will the tablet change everything? Will it do for publishing what iPod did for music? And if it does, are publishers ready for the demand for digital content? Probably not.

The even bigger question goes beyond the availability of digital content, but begs the question of  paid content. Will consumers pay for content they currently get for free? Do people pay for water? We’ll see…

More about Apple’s “news” tomorrow:

Apple iTablet rumour round-up – Telegraph

The Apple Tablet: a complete history, supposedly — Engadget

Play Paywall!, the new web game sweeping the newspaper industry » Nieman Journalism Lab


This website and blog is about digital marketing, web development, social media marketing, advertising, mobile advertising, cross-platform content and consulting. This material is for personal use only. Contents copyright © 2009 marinamann.com. Creative Commons License granted providing the following attribution: Marina Mann www.marinamann.com